2023
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1. |
Kjus, Yngvar. The rise of music production platforms. Innovation in Music; 2023-07-01 - 2023-07-02 UiO
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2. |
Kjus, Yngvar. Working on the (value) chain: A study of how technology companies intervene in music production in the online era. IASPM; 2023-06-26 - 2023-06-30 UiO
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3. |
Kjus, Yngvar; Kraugerud, Emil. Transformations of production technology in the online environment. Ultima: Spotlight IMV; 2023-09-14 - 2023-09-14 UiO
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4. |
Kjus, Yngvar; Kraugerud, Emil; Skjerdal, Øyvind. Frokostseminar på Popsenteret om musikk, kreativitet og teknologi. Frokostseminar på Popsenteret om musikk, kreativitet og teknologi; 2023-04-24 - 2023-04-24 UiO
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2022
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5. |
Kjus, Yngvar. Is music production undergoing platformization? If so, how, and with what effects?. Norsk medieforskerkonferanse; 2022-10-13 - 2022-10-14 UiO
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6. |
Kjus, Yngvar. Strømmekonserter - mer enn en nødløsning? Presentasjon på boklansering.. Boklansering: Estetiske praksiser i den digitale produksjonens tidsalder; 2022-12-01 - 2022-12-01 UiO
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7. |
Kjus, Yngvar; Brøvig, Ragnhild; Wang, Solveig Margrethe. Encountering new technology: A study of how female creators explore DAWs. Innovation in Music; 2022-06-24 - 2022-06-26 UiO
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8. |
Kjus, Yngvar; Brøvig-Hanssen, Ragnhild; Wang, Solveig Margrethe. Getting onto the platforms of music production: How women negotiate the creative opportunities of digital audio workstations. Global Perspectives on Platforms & Cultural Production; 2022-06-01 - 2022-06-02 UiO
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9. |
Kjus, Yngvar; Jacobsen, Roy Aulie. Will the EU’s directive on copyright in the digital market change the power balance of the music industry? Views from Norway.. Nordisk kulturpolitisk tidsskrift 2022 ;Volum 25.(1) s. 28-42 TF UiO
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10. |
Kjus, Yngvar; Spilker, Hendrik Storstein; Kiberg, Håvard. Liveness online in deadly times: How artists explored the expressive potential of live-streamed concerts at the face of COVID-19 in Norway. First Monday 2022 ;Volum 27.(6) s. - UiB NTNU HK UiO
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11. |
Spilker, Hendrik Storstein; Kjus, Yngvar; Kiberg, Håvard. Strømmekonserter - mer enn nødløsninger?. I: Estetiske praksiser i den digitale produksjonens tidsalder. Fagbokforlaget 2022 ISBN 978-82-450-4350-1. s. 423-460 UiO UiB HK NTNU
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2021
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12. |
Kjus, Yngvar. Bransjen bak scenen: Strømmetjenester og plateselskap får avgjøre hvem som kan leve av musikken.. Dagsavisen 2021 UiO
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13. |
Kjus, Yngvar. Collective musicking on DAW platforms?. Digital Music Socialities; 2021-11-11 - 2021-11-12 UiO
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14. |
Kjus, Yngvar. Comparing the platforms of cultural production: Music, film, game. NordMedia (Contribution to panel: Helping the fish to see the water: Doing comparative and cross-media industry research); 2021-08-18 - 2021-08-20 UiO
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15. |
Kjus, Yngvar. Har internett gjort det vanskeligere å lykkes i musikkbransjen?. NRK P2 - Studio 2 [Radio] 2021-01-27 UiO
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16. |
Kjus, Yngvar. License to stream? A study of how rights-holders have responded to music streaming services in Norway. International Journal of Cultural Policy 2021 ;Volum 28.(1) s. 61-73 UiO
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17. |
Kjus, Yngvar. Strømming gjør det vanskeligere å lykkes i musikkbransjen enn noensinne. www.hf.uio.no/imv/forskning/aktuelt [Internett] 2021-01-15 UiO
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18. |
Kjus, Yngvar. Transformations in the creative roles and modes of music production. Creative IPR seminar; 2021-10-11 - 2021-10-11 UiO
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19. |
Kjus, Yngvar. Twists and turns in the 360 deal: Spinning the risks and rewards of artist–label relations in the streaming era. European Journal of Cultural Studies 2021 ;Volum 25.(2) s. 463-478 UiO
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20. |
Kjus, Yngvar; Brøvig-Hanssen, Ragnhild. Møter med teknologi: Kvinnelige skaperes utforsking av DAWs. Kreative praksiser i musikk; 2021-09-08 - 2021-09-09 UiO
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21. |
Kjus, Yngvar; Hagen, Anja Nylund; Torvund, Olav; Maasø, Arnt. Musikk, opphavsrett og internett. Avsluttingsseminar for MUSEC-prosjektet; 2021-01-28 UiO
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22. |
Kjus, Yngvar; Spilker, Hendrik Storstein. Liveness in deadly times: How artists in Norway explored the expressive potential of live-streamed concerts at the face of Covid-19. NordMedia; 2021-08-18 UiO NTNU
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2020
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23. |
Kjus, Yngvar. Book Review: "Women in the Studio: Creativity, Control, and Gender in Popular Music Sound Production", by Paula Wolfe. Popular Music 2020 ;Volum 39.(2) s. 373-375 UiO
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24. |
Kjus, Yngvar. The record contract in flux: Developments in the agreements of artist and label in the time of music streaming. Norsk medieforskerkonferanse; 2020-10-22 - 2020-10-23 UiO
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25. |
Kjus, Yngvar. Vil ha opphavsretten ut av lukkede rom. Ballade.no [Fagblad] 2020-01-07 UiO
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26. |
Kjus, Yngvar; Hagen, Anja Nylund. Music on (and in) demand: Negotiating and competing in streaming. Music in the Age of Streaming: IASPM Nordic Conference 2020; 2020-06-16 - 2020-06-17 UiO
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27. |
Kjus, Yngvar; Spilker, Hendrik Storstein. Introduksjon til seminar om musikk og medier i den digitale tiden. Seminar om musikk og medier i den digitale tiden; 2020-01-23 - 2020-01-23 NTNU UiO
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28. |
Kjus, Yngvar; Spilker, Hendrik Storstein. Lyden av digitalisering: Preludium om musikk og medier. Norsk Medietidsskrift 2020 ;Volum 27.(3) s. 1-10 NTNU UiO
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29. |
Kjus, Yngvar; Spilker, Hendrik Storstein. Redaktører for spesialnummer om musikk og medier. Norsk Medietidsskrift 2020 ;Volum 27.(3) s. - UiO NTNU
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30. |
Spilker, Hendrik Storstein; Kjus, Yngvar; Kiberg, Håvard. Nødløsninger med langtidsvirkninger? Artisters og konsertarrangørers erfaringer med direktestrømmete "koronakonserter". Workshop Digitale kulturer, estetiske praksiser; 2020-09-15 - 2020-09-16 NTNU UiO
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31. |
Spilker, Hendrik Storstein; Kjus, Yngvar; Kiberg, Håvard. Nødløsninger med langtidsvirkninger? Artisters og konsertarrangørers erfaringer med strømmekonserter.. Norsk Medieforskerkonferanse; 2020-10-22 - 2020-10-23 NTNU UiO
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2019
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32. |
Kjus, Yngvar. Is streaming streamlining copyright in music?. 20th Biennial Conference of the International Association for the Study of Popular Music; 2019-06-24 - 2019-06-28 UiO
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33. |
Kjus, Yngvar. Keynote foredrag: Hvordan oppleves levende musikk i den digitale tiden?. Musik och samhälle; 2019-10-10 - 2019-10-10 UiO
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34. |
Kjus, Yngvar. The Use of Copyright in Digital Times: A Study of How Artists Exercise Their Rights in Norway. Popular music and society 2019 UiO
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35. |
Kjus, Yngvar; Brøvig-Hanssen, Ragnhild. Med opphavsrett på studieplanen. Ballade.no [Fagblad] 2019-09-06 UiO
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36. |
Kjus, Yngvar; Brøvig-Hanssen, Ragnhild; Askerøi, Eirik; Hartung, Mike; Wergeland Juell, Magnus; Karoliussen, Sara. Musikkprodusentens rolle. Musikkvitenskaplig fagdag; 2019-09-20 - 2019-09-20 UiO HINN
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37. |
Kjus, Yngvar; Hagen, Anja Nylund. Musikkbransjen i strømmetiden. Åpen Dag på UiO; 2019-03-07 - 2019-03-07 UiO
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2018
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38. |
Danielsen, Anne; Kjus, Yngvar; Kraugerud, Emil. Gendered patterns in music mediation: a study of male and female performers at the Øya festival using multiple data sources. Poetics 2018 UiO
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39. |
Kjus, Yngvar. Boklansering: Live and Recorded: Music Experience in the Digital Millennium. Lansering; 2018-04-06 - 2018-04-06 UiO
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40. |
Kjus, Yngvar. How to make money in music in the digital age?. by:Larm; 2018-03-01 - 2018-03-01 UiO
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41. |
Kjus, Yngvar. Kontemporære medier og fremveksten av nye musikalske sjangere. Prøveforelesning; 2018-02-12 - 2018-02-12 UiO
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42. |
Kjus, Yngvar. Live and Recorded: Music Experience in the Digital Millennium. Palgrave Macmillan 2018 (ISBN 978-3-319-70367-1) 184 s. UiO
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43. |
Kjus, Yngvar. Music on demand: Economy and copyright in a digitised cultural sector. KULMEDIA programseminar; 2018-03-20 - 2018-03-20 UiO
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44. |
Kjus, Yngvar. Musical negotiations: How singer-songwriters relate to economy and copyright in digital times. ECREA konferanse; 2018-10-31 - 2018-11-03 UiO
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45. |
Kjus, Yngvar. Negotiating streaming rights: A study of the contracts and negotiations underlying the music streaming economy. Music and the Internet; 2018-12-08 - 2018-12-08 UiO
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46. |
Kjus, Yngvar. The use of copyright in digital times: A study of how singer-songwriters exercise their rights in evolving music markets. Norsk medieforskerkonferanse; 2018-10-17 - 2018-10-19 UiO
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2017
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47. |
Danielsen, Anne; Kjus, Yngvar. The Mediated Festival: Live Music as Trigger of Music Streaming and Social Media Engagement. Convergence. The International Journal of Research into New Media Technologies 2017 ;Volum 25.(4) s. 714-734 UiO
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48. |
Kjus, Yngvar. Dur eller moll for norsk musikk?. Dagens næringsliv 2017 UiO
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49. |
Kjus, Yngvar. Harmonious or out of Tune: Cooperation between the Television Industry and the Music Business in Talent Contests of the 2000s. Media, Culture and Society 2017 ;Volum 39.(7) s. 1011-1026 HINN
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50. |
Kjus, Yngvar. Instituttleiar Arne H. Krumsvik i samtalar om media og samfunn: Yngvar Kjus om Idol, X Factor, The Voice og The Stream. https://krumsvik.podbean.com/e/yngvar-kjus-om-idol-x-factor- [Internett] 2017-02-17 UiO
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